Some notable GJRA-related events are happening soon. If you want to advertise anything related to Graphic Justice, please get in touch!
See the below shameless plug for Thomas Giddens' paper, Komos and Nomos (Comics, Law and Disorder), to be given at the University of Dundee on 15th November 2017.
The Scottish Centre for Comic Studies and the Centre for Critical and Creative Cultures are delighted to welcome Dr Thomas Giddens (Senior Lecturer in Law at St Mary’s, London and founder of the Graphic Research Alliance) to discuss, ‘Komos and Nomos’ (Comics, Law, and Disorder). Dr Giddens’ lecture will take place on Wednesday, 15th November 2017, 4-6pm in Dalhousie 3G02, LT1. To accompany this exciting event we have created a short comic with Dr Giddens that will be given away on the day. Earlier in the day we will also be running a comics workshop around the theme of Law and Disorder. The workshop will take place in the Dundee Comics Creative Space, 2-3pm, and is open to all (adults only). Please see below for further information on Dr Giddens’ work:
“Thom's work focuses on the intersections and interactions between comics and legal theory. Comics, graphic novels, and manga represent a rich, varied and sophisticated cultural medium. Comics have had a huge impact of many aspects of popular culture, from cinema and books, to television and the internet. They deal with many themes important to law and justice, from criminal justice and morality in superhero narratives, to explorations of all walks of human life in the wide variety of comics beyond this dominant mainstream. The intersection of comics with law and justice is an under-researched field, and Thom’s work aims to promote and develop this rich and important cultural crossover. His ground-breaking edited collection, Graphic Justice: Intersections of Comics and Law, was published by Routledge in 2015.
Thom’s currently major project deepens the concern with comics and legal theory, taking a specifically philosophical and aesthetic turn. Building on previously published work around the aesthetics and metaphysics of the comics form, and its significance for law and legal theory, Thom is expanding and developing the core of his PhD thesis into a monograph that examines the boundaries of the rational and textual nature of legal knowledge. This work will explore the problems of legal knowledge-making through critical engagement with a variety of comics and philosophical sources, demonstrating the profound critical value of the comics medium for legal studies.
An interdisciplinary research network exploring the crossover between law and justice and comics of all kinds (now moved to graphicjustice.wordpress.com)
7 November 2017
'Graphic Justice: Law, Comics, and Related Visual Media' stream at the Socio-Legal Studies Association 2018
Great news - for the third year running, we will be convening a stream at the SLSA conference. This year it is in the wonderful city of Bristol from 26-28 March 2018. Further details here: https://www.slsa2018.com/graphic-justice. Here is the call:
This stream invites submissions exploring the intersections of law and justice with comics, graphic fiction, and related visual media.
Critical interest in the comics medium has exploded in recent decades, and is steadily growing within the legal academy. Indeed, comics and graphic fiction—and their related visual emanations, including film, video games, and wider ‘geek culture’—are of huge and on-going significance to law, justice, and legal studies.
On a socio-cultural level, comics are historically embroiled in debates of free speech whilst today they inspire countless pop culture adaptations—from television to cinema to video games, as well as performance activities such as cosplay—and can be seen to reflect and shape popular visions of justice, morality, politics, and law. On the level of content, from mainstream superhero narratives tackling overt issues of justice, governance and authority, to countless themes related to morality, justice, and humanity in stories within and far beyond the mainstream, comics are rich with legal material. On the level of form, the comics medium’s unique and restless blending of different media and types of representation (text, image, visuality, aesthetics, inter alia) radically opens up discourse beyond the confines of the word, enabling greater critical engagement amidst our increasingly visual age. On the level of production, comics are a complex art-form, with multiple creators working in individual, group, commercial, and industrial contexts, raising questions of ownership and exploitation—issues exacerbated by comics’ transmedia proliferation.
In short, comics and their related visual media bring rich cultural, practical, and aesthetic contexts and mediations to long-standing and emerging legal problems and settings. Broad questions framing this ‘graphic justice’ intersection might include:
Information about previous conferences, including the programmes from the Lancaster and Newcastle conferences - which include the titles of our previous streams - is available on the SLSA website here: https://www.slsa.ac.uk/index.php/past-conferences.
For further discussion and please contact Thomas Giddens, Angus Nurse, or David Yuratich, whose emails can be found here: https://www.slsa2018.com/graphic-justice
Critical interest in the comics medium has exploded in recent decades, and is steadily growing within the legal academy. Indeed, comics and graphic fiction—and their related visual emanations, including film, video games, and wider ‘geek culture’—are of huge and on-going significance to law, justice, and legal studies.
On a socio-cultural level, comics are historically embroiled in debates of free speech whilst today they inspire countless pop culture adaptations—from television to cinema to video games, as well as performance activities such as cosplay—and can be seen to reflect and shape popular visions of justice, morality, politics, and law. On the level of content, from mainstream superhero narratives tackling overt issues of justice, governance and authority, to countless themes related to morality, justice, and humanity in stories within and far beyond the mainstream, comics are rich with legal material. On the level of form, the comics medium’s unique and restless blending of different media and types of representation (text, image, visuality, aesthetics, inter alia) radically opens up discourse beyond the confines of the word, enabling greater critical engagement amidst our increasingly visual age. On the level of production, comics are a complex art-form, with multiple creators working in individual, group, commercial, and industrial contexts, raising questions of ownership and exploitation—issues exacerbated by comics’ transmedia proliferation.
In short, comics and their related visual media bring rich cultural, practical, and aesthetic contexts and mediations to long-standing and emerging legal problems and settings. Broad questions framing this ‘graphic justice’ intersection might include:
- What are the relationships between comics and related visual media, and law—culturally, socially, formally, theoretically, jurisprudentially...?
- How can we use comics and related visual media in law—in practice, education, theory, research...?
- Can we consider comics as objects of legal regulation in their own right—raising issues of definition, ownership, consumption, value...?
Information about previous conferences, including the programmes from the Lancaster and Newcastle conferences - which include the titles of our previous streams - is available on the SLSA website here: https://www.slsa.ac.uk/index.php/past-conferences.
For further discussion and please contact Thomas Giddens, Angus Nurse, or David Yuratich, whose emails can be found here: https://www.slsa2018.com/graphic-justice
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