21 January 2015

Law and Feminist SciFi Lecture @ Centre for Law and Culture SMU London


St Mary's University, London
Centre for Law and Culture
Public Lecture Series 2014-15: ‘Law and Culture’

Thursday 5 February 2015
6pm, Senior Common Room

Professor Melanie Williams, University of Exeter
‘Law's Impotence, Gender Violence and the Power of Feminist Science Fiction’

Where ‘mainstream’ (that is, essentially masculine) science fiction tends to explore the possibilities of imagined or fantastical futures and scientific possibilities, ‘feminist’ science fiction frequently reflects such projections with an additional twist or motivation—the vision wedded less to extending or radically altering the potential of the here and now and more to escaping it. Feminist science fiction reflects, very strongly, a despair with the state of the world, especially where women are concerned. And such despair arguably seems justified when one considers the global scale of the problems of violence, discrimination and ideological prejudice visited upon that half of the world population that is female.

For this discussion I wish to consider the message of a seminal work of science fiction—‘The Women Men Don’t See’ (1973) by James Tiptree Junior (actually Alice B. Sheldon), and a response to it in the form of ‘What I Didn’t See’ by Karen Joy Fowler and her recent novel We are all Completely Beside Ourselves—all indicating a possible link to theorisations of nature and nurture relevant to feminism through primateology. The connections demonstrate potentially interesting links between notions of the ‘alien’ and tensions in biological and feminist theories, links which have subtle relevance to subliminal beliefs in society and law around the world.

About the Speaker: Melanie Williams is Professor of Literary Jurisprudence and Deputy Head of the Law School at the University of Exeter. She was formerly Professor of Law, University of Swansea 2005-6; Reader in Law, University of Swansea, 2004-5; and Lecturer in Law, University of Aberystwyth, 1995-2003. Her research is interdisciplinary, focusing on the use of language and literary devices in law, as well as the use of literary sources to explore notions of ‘legitimate' narrative.

Registration: The event is free and public without registration, but feel free to contact thomas.giddens@smuc.ac.uk for further details.

Venue: Senior Common Room, St Mary’s University, Twickenham, London TW1 4SX

24 September 2014

CALL: Graphic Futures Project


Graphic Futures
Imagining Law’s Potential in Comics and Graphic Novels


Call for papers and comics creators



 

Whether you are a comics artist/writer or academic, feel free to contact thomas.giddens@smuc.ac.uk to discuss any ideas you might have or potential involvement. General ideas/interest are as welcome as full abstracts!

What challenges and laws await us as we emerge from the throes of modernity? What awaits our nature as humanity integrates with advancing technology? What form will morality take in a world where official systems of order and control, or the modes of thought that created the modern state, have dissipated? What of justice without law? What of law after the human? What of knowledge and judgment after the reification of modernism has been undone? What is the next jurisprudence? It is these, and related, questions that the proposed network addresses, through innovative engagement with the medium of graphic fiction.

Many texts tell the history of legal philosophy and moral thought—from Classical Greece and the medieval period, through the Enlightenment to modernity, and today’s uncertain epoch of ‘late modernity’. In such texts, it is hoped that by recounting this history—this tale of development, progression and change—our current jurisprudential state is uncovered and we are enlightened as to the issues at play in determining the nature of what law both is and should be. So  much for legal past; but what of legal future?

Comics and graphic fiction have been an under-utilised resource in the history of legal studies. Yet their unique position (at the borders of the visual, the linguistic, the aesthetic, and the rational), and their capacity for futuristic imagination, arguably make them an apt tool for exploring worlds, laws and ideas beyond the boundaries of the present. Engaging with futuristic visions in graphic fiction and comics, this project aims to imagine (or challenge our ability to imagine) the landscape(s) of jurisprudence in the emerging world(s) as modernity recedes.

The project is looking to recruit not just academics, but also interested comics creators who will be full participants in any workshop discussions and then create their own artworks inspired by those discussions.

The aim of the project is to imagine the potential future(s) of law and justice. The overarching problematic will be addressed through a series of international workshops in US, Australia and USE across 2015-2018, with each participant contributing their own perspective and particular critical ‘take’ on the issue of comics and legal futurity. There will be 8 workshops, feeding into a series of edited collections and graphic novels (funding is being sought to cover participants' expenses). These workshops will tackle four main sub-themes of the central problematic of legal futurity:

  1. Approaching Graphic Futures—focusing on the project’s epistemological issues, such as: the limits of legal language in relation to the language of comics; the particular value of the comics medium in tackling the project’s core problematic; and, how can such imaginative speculation help inform our world today. (Workshop dates: September 2015, July 2016)
  2. Criminal Futures—focusing on issues relating to crime and criminal justice, such as: what problems future criminal law enforcement might face; concerns of pre-emptive justice; and, the dominant ideals of ‘justice’ (e.g. retribution, deterrence, something else) that might prevail as modernity recedes. (Workshop dates: March 2016, September 2016)
  3. Legal Futures of Technology—focusing on issues relating to advancing technology, such as: the legal challenges of human-machine integration; the advent of artificial intelligence; and, how technology might change the face of legal institutions and regulation. (Workshop dates: March 2017, September 2017)
  4. Law after the Modern State—focusing on issues relating to rights and political theory, such as: how might human relations be regulated if the modern state fails; what shape might rights take in the future; and, concerns of trans-temporal responsibility (for example, our responsibility to the future, or the future’s responsibility to the past). (Workshop dates: July 2017, March 2018)


22 July 2014

Visualising Law and Gender: BOOKING OPEN!



Centre for Law and Culture Conference 2014
Visualising Law and Gender

Booking is now open for the upcoming Centre for Law and Culture Conference on ‘Visualising Law and Gender’, 3-4 September 2014, here at St Mary’s University, Twickenham, London.

Law both regulates cultural representations and creates them. These dual themes will be explored in a conference focused upon the twin strands of law and visual culture, and law and gender.

How does law regulate gender; how does it regulate images? What is/are the relationship/s between visual culture and the gendering of law? How have gendered divisions structured the legal profession and practice, and what is the role of the visual in understanding such complexities? How can visual culture and representation challenge or enlighten the gendered dimensions of law?

This conference is aimed at exploring the intersections of law, gender, and the visual in an effort to address such questions and related concerns.

Booking now open! (visit http://www.ticketsource.co.uk/event/59449)

Conference date: 3rd-4th September 2014
Location: St Mary’s University, Twickenham, London TW1 4SX
Registration fee: £100 (including refreshments, lunch, and conference dinner)

Please visit www.smuc.ac.uk/law-and-culture/conferences.htm or contact the organisers (thomas.giddens@smuc.ac.uk or judith.bourne@smuc.ac.uk) for more details.


2 May 2014

Al Feldstein passes


Al Feldstein, of Mad magazine fame, has sadly departed. Read more here.