CALL: Graphic Futures Project

Graphic Futures
Imagining Law’s Potential in Comics and Graphic Novels

Call for papers and comics creators



 

Whether you are a comics artist/writer or academic, feel free to contact thomas.giddens@smuc.ac.uk to discuss any ideas you might have or potential involvement. General ideas/interest are as welcome as full abstracts!

What challenges and laws await us as we emerge from the throes of modernity? What awaits our nature as humanity integrates with advancing technology? What form will morality take in a world where official systems of order and control, or the modes of thought that created the modern state, have dissipated? What of justice without law? What of law after the human? What of knowledge and judgment after the reification of modernism has been undone? What is the next jurisprudence? It is these, and related, questions that the proposed network addresses, through innovative engagement with the medium of graphic fiction.

Many texts tell the history of legal philosophy and moral thought—from Classical Greece and the medieval period, through the Enlightenment to modernity, and today’s uncertain epoch of ‘late modernity’. In such texts, it is hoped that by recounting this history—this tale of development, progression and change—our current jurisprudential state is uncovered and we are enlightened as to the issues at play in determining the nature of what law both is and should be. So  much for legal past; but what of legal future?

Comics and graphic fiction have been an under-utilised resource in the history of legal studies. Yet their unique position (at the borders of the visual, the linguistic, the aesthetic, and the rational), and their capacity for futuristic imagination, arguably make them an apt tool for exploring worlds, laws and ideas beyond the boundaries of the present. Engaging with futuristic visions in graphic fiction and comics, this project aims to imagine (or challenge our ability to imagine) the landscape(s) of jurisprudence in the emerging world(s) as modernity recedes.

The project is looking to recruit not just academics, but also interested comics creators who will be full participants in any workshop discussions and then create their own artworks inspired by those discussions.

The aim of the project is to imagine the potential future(s) of law and justice. The overarching problematic will be addressed through a series of international workshops in US, Australia and USE across 2015-2018, with each participant contributing their own perspective and particular critical ‘take’ on the issue of comics and legal futurity. There will be 8 workshops, feeding into a series of edited collections and graphic novels (funding is being sought to cover participants' expenses). These workshops will tackle four main sub-themes of the central problematic of legal futurity:

1. Approaching Graphic Futures—focusing on the project’s epistemological issues, such as: the limits of legal language in relation to the language of comics; the particular value of the comics medium in tackling the project’s core problematic; and, how can such imaginative speculation help inform our world today. (Workshop dates: September 2015, July 2016)
2. Criminal Futures—focusing on issues relating to crime and criminal justice, such as: what problems future criminal law enforcement might face; concerns of pre-emptive justice; and, the dominant ideals of ‘justice’ (e.g. retribution, deterrence, something else) that might prevail as modernity recedes. (Workshop dates: March 2016, September 2016)
3. Legal Futures of Technology—focusing on issues relating to advancing technology, such as: the legal challenges of human-machine integration; the advent of artificial intelligence; and, how technology might change the face of legal institutions and regulation. (Workshop dates: March 2017, September 2017)
4. Law after the Modern State—focusing on issues relating to rights and political theory, such as: how might human relations be regulated if the modern state fails; what shape might rights take in the future; and, concerns of trans-temporal responsibility (for example, our responsibility to the future, or the future’s responsibility to the past). (Workshop dates: July 2017, March 2018)

• Please send abstracts of no more than 200 words, 3 keywords, and an indication of which theme your work would ‘fit’ under, to thomas.giddens@smuc.ac.uk by 12 November 2014.
• General declarations of potential interest are also welcome: just drop a note to thomas.giddens@smuc.ac.uk!
• The project is also seeking comics creators (writers and/or artists): email thomas.giddens@smuc.ac.uk if you are interested in being involved in a creative capacity.

Naked and Veiled: Centre for Law and Culture Public Lecture

Visualising Law and Gender: BOOKING OPEN!

Centre for Law and Culture Conference 2014
Visualising Law and Gender

Booking is now open for the upcoming Centre for Law and Culture Conference on ‘Visualising Law and Gender’, 3-4 September 2014, here at St Mary’s University, Twickenham, London.

Law both regulates cultural representations and creates them. These dual themes will be explored in a conference focused upon the twin strands of law and visual culture, and law and gender.

How does law regulate gender; how does it regulate images? What is/are the relationship/s between visual culture and the gendering of law? How have gendered divisions structured the legal profession and practice, and what is the role of the visual in understanding such complexities? How can visual culture and representation challenge or enlighten the gendered dimensions of law?

This conference is aimed at exploring the intersections of law, gender, and the visual in an effort to address such questions and related concerns.

Booking now open! (visit http://www.ticketsource.co.uk/event/59449)

Conference date: 3rd-4th September 2014
Location: St Mary’s University, Twickenham, London TW1 4SX
Registration fee: £100 (including refreshments, lunch, and conference dinner)

Please visit www.smuc.ac.uk/law-and-culture/conferences.htm or contact the organisers (thomas.giddens@smuc.ac.uk or judith.bourne@smuc.ac.uk) for more details.

Al Feldstein passes

Al Feldstein, of Mad magazine fame, has sadly departed. Read more here.

Disguise Conference CFP

Since many superheroes wear masks, I thought some of you interested in Graphic Justice may also be interested in this...

Marginalised Mainstream 2014: Disguise
28-29 November 2014 Institute of English Studies, Senate House, University of London Keynote Speakers: Dr Bronwen Thomas (Bournemouth University), Dr Naomi Braithwaite (Nottingham Trent University)

'I like to reinvent myself — it’s part of my job.' – Karl Lagerfeld

In 2014, the Marginalised Mainstream conference will consider the varieties, motivations, and meanings of disguise. From secret identities to theatrical performances, from fictional fabrications to factual concealment, disguises of all sorts are part of mainstream culture. This event will explore various manifestations of disguise in popular fiction, media, and culture that have previously been academically marginalised.

Fictional instances of disguise range from Scooby-Doo to Superman, and have a long history in theatre, novels, and film. Factual disguise can also impact mainstream media, whether it be the subtle advancement of a concealed agenda in gay fiction of the 1960s, the academic impact of the Sokal hoax in the 1990s, or J. K. Rowling’s recent attempt to publish pseudonymously. Textual disguises, such as that of the murderer of Roger Ackroyd or the identity of Keyser Söze, retain the power to shock.

The motif of disguise appears in fiction and film, in real life and virtual reality. The prevalence of such masking and unmasking poses pressing questions for popular culture: when does disguise reveal as well as conceal? How do marginalised genres or media subtly alter mainstream opinions, while masquerading as mere amusement? How do changing fashions, in clothes, in texts, or in tastes, affect the ability to create disguises? Is critical marginalization an attempt to “disguise” the value of the mainstream?

This year's conference will offer a forum for new perspectives on the operation and meanings of such masking and unmasking in fiction, media, performance, other cultural productions.

We invite 250-word abstracts focusing on literature, cultural studies, art history, film studies or other disciplines. Subjects could include, but are far from limited to:

* Fictional secret identities (spies, superheroes, criminals)
* Role-playing games or narratives
* Theatricality
* Pseudonyms
* Forgery
* Parody
* Re-purposing genres
* Genre-crossing
* Undercover agendas
* Subversion of narrative expectations
* Deceptive focalization
* Dramatic irony

Please send proposals for 20-minute papers along with a brief biographical note to Sam Goodman, Brittain Bright, and Emma Grundy Haigh at hello@marginalisedmainstream.com<mailto:hello@marginalisedmainstream.com> by 30 May 2014.

If you are applying for a visa or funding and need a response sooner than 1 July, please submit your abstract by 2 May, and note your early notification needs in your submission.

'Oh, they never lie. They dissemble, evade, prevaricate, confound, confuse, distract, obscure, subtly misrepresent and willfully misunderstand with what often appears to be a positively gleeful relish and are generally perfectly capable of contriving to give one an utterly unambiguous impression of their future course of action while in fact intending to do exactly the opposite, but they never lie. Perish the thought.' – Iain Banks